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| Chino Kaori Memorial Essey Prize |
2003年に千野香織先生の名前を冠した「千野香織記念賞」が設立されました。
この賞は、日本美術史に関する優れた英文論文に与えられるものです。
詳しい情報は、下記をご覧ください。
Established in 2003, the Chino Kaori Memorial Essay Prize is administered
by the Japan Art History Forum (JAHF) and sponsored
by the University of Hawaii Press.
This annual competition is open to graduate students from any university.
The prize will be awarded to the best research paper written in English
on a Japanese Art History topic.
The prize consists of a gift of 400 dollars in books from the University
of Hawaii Press
catalogue (postage paid by UHP) and a complimentary two-year JAHF
membership.
In addition, the prize recipient will receive the bi-lingual book
form of the most
recently published annual Chino Kaori Memorial 'New Visions' Lecture,
sponsored jointly by the Center for the Study of Women, Buddhism,
and Cultural History
at the Medieval Japanese Studies Institute, Kyoto, and the Gender
Research Center, Tokyo.
Papers should be under 10,000 words
(in Times New Roman, 12 point,double-spaced) and not previously published.
Submissions should be by email. Texts should be in Microsoft Word
or Adobe Acrobat PDF.
Illustrations should be in MS Power Point or Adobe Acrobat PDF
with individual illustration images no larger than 75 dpi and the
total file size no larger than 4 MB.
Submissions not complying with these specifications will not be accepted.
The deadline is usually June 1 of each year.
Please contact Professor Toshio Watanabe, Director, Research Center
for Transnational Art,
Identity and Nation (TrAIN), Chelsea College of Art and Design,
London,
at E-mai (English) tpwatanabe@aol.com
or E-mail (Japanese) tpwatanabe@hotmail.com,
for yearly details, and the names of the selection committee members.
The 4th annual Chino Kaori Memorial Essay Prize (for best English language
graduate studied essay) for 2006 has been awarded to Ms. Jung-Ah Woo,
graduate student in Art History at the University of California, Los
Angeles(UCLA)
for her essay, The End of Eternity: Yoko Ono
and Art after the War,
which discussesOno’s text-based works and performances. |
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